Class Notes
January - February 2001
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Posted on 27 January 2001 for Art for Children students, Goshen College,
Marvin Bartel, Inst.
Updated 2-1-01
Also see
Blackboard/CourseInfo
, for
Discussion
,
and
Course Documents. Some lecture notes will be posted
there.
Access these from the
Goshen
College On Campus
home page. This may be a file that is too large for
a home computer modem, but it will be fast if you are on campus.
The files can be placed on a diskette and taken home to review if you wish.
However, if you do not have the Powerpoint on the home computer, it may
not open.
-
Why are drawing and modeling
essential developmental learning tasks?
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Art is a unique way of knowing
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Art is a unique way of feeling
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How are drawing and clay modeling
skills and behaviors cultivated?
The following
Art
Informs History
lesson
page from the Getty Center has references to teaching art lessons related
to Romare Bearden.
http://www.artsednet.getty.edu/ArtsEdNet/Resources/Aeia/informs-lp.html
How
are drawing and clay modeling behaviors cultivated?
Good ways to do it
-
Provide: materials - places - times - positive feedback
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Provide experience/observation activities - discuss
observations - ask observational questions - construct memories and a knowledge
base - enter the data
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Motivate accretion - make passive knowledge active (using
questions that add remembered details without telling them the answers).
How NOT to cultivate drawing
and modeling behaviors
Motivate accretion - make passive
knowledge active
-
Use if drawing is
SMALL
on
LARGE
paper
-
Use if drawing is finished
quickly
without much thinking - impulsive child
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Use if child is unsure of self and needs HELP getting
started - deliberate child
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DO NOT
draw for them but teach them
how to see and draw
-
use subjects for which the child has had experience
or subjects that the child can observe while drawing
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have them practice using materials - do not demonstrate
the subject being drawn
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discuss the subject being created
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follow the edge of the thing with your finger on the
object
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use questions for accretion
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ask them for ideas and options
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encourage practice on another paper
Respect the child's creative
ownership
Do not make any marks on their pictures
ask
permission
and placement
advice
before adding their name and title
cultivate aesthetic decision making
reinforce child's ownership
when adding written comments and questions (assessing
and grading the work), use tracing overlay, post-its, or back side of work.
Respect the student's art.
Things
not to do
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Avoid Patterns
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Avoid Tracing
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Avoid coloring books (workbook activity?)
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Avoid dot to dot activities
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Avoid copy work
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Avoid examples unless shown after the creative work
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Avoid demonstrations unless essential - and then follow
with
immediate
hands-on practice
Ways
to Cultivate Artistic Behavior
Sequence
or Phases
Inception of
an idea **
We can teach how to get ideas for art.
Artists find content in these sources:
-
Nature and constructed environment
-
inner feelings, imagination
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quest for order, universal themes
-
ordinary experience
Elaboration and
Refinement **
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Practice with materials and ideas - rehearse it -
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Observation, make visual studies
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Change of work habits - a good way to insure new learning
- new ways to see
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Exploration of meanings, symbolism - often very motivational
- promotes caring about . . .
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Consideration of purposes and means - deals with function
of something - what is it for?
Does it celebrate, commemorate, contain, disseminate, convince, entertain,
amuse, organize, design, and so on? Artwork has many roles to play in our
world. Without the arts we would lack the best ways to express love, grief,
joy, and many of the most important aspects of life.
-
Execution in a Medium**
(learning
to create with materials) - art making methods
Control (practice and develop media skills)
Adaptation (change ideas in order to make them fit
the material)
Selection (pick a material that works for the idea)
Experimentation (teachers can guide experimentation)
This can be a way to solve specific problems (look at options before
the main work)
This can be a way to learn a repertoire of methods to use
-
Assess it and learn
from it
also called
art
criticism
- writing
- talking about art
-
Study similar examples
from other cultures and/art history
**
from page
61, Laura Chapman.
Approaches to Art in Education.
1978. Harcourt
Brace Jovanovich, NY
Criticism
Assess
it and learn from it
-
Read the work. Find out what others see in it. "What
do you see first?" Why?
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Talk about the work
description
- what
is there?
analysis
- what
causes effects like emphasis, motion, depth, and so on?
interpretation
- what does it mean/feel? why was it done?
Study
similar examples from other cultures and art history
-
Study work that deals with the same art concepts, social
issues, or material/methods learned in the production
Discuss in the context of the media experience as a
frame of reference for understanding the artist's motivations and meanings
What is
Discipline Based
Art Education - DBAE ?
The four discipines expected in the art curriculum:
Production, Criticism,
Art History, Aesthetics
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